Masks
Cocijo's Mask
& The Weeping Mask of Mama Killa
Medium:clay, yarn, and tissue paper; recycled painting, clay, silver thread, spray paint

Learning
Upon successful completion of this course, students will be able to blend analog and digital techniques to create themed, client-driven illustration campaigns based on professional feedback. Additionally, students will reference and expand upon existing artwork to build a cohesive body of work, honing their final portfolio to industry standards. Ultimately, students will upload their refined portfolios online and strategically plan the display of their artwork for both in-person and digital thesis exhibitions.
Cocijo's Mask
A mask honoring Cocijo, the Zapotec god of thunder, featuring a clay base with a yarn background inspired by Oaxaca’s geometric textile patterns. The tissue paper feathers complete the headdress, reflecting traditional craftsmanship.

The Weeping Mask of Mama Killa
This work transforms a thrifted painting into a tribute to Inca heritage, framed with clay embossed with cultural symbols like the Chaka cross and puma. At its heart, the clay mask of Mama Killa, the revered Inca Moon goddess, sheds silver-painted tears made from glue, embodying her sacred ties to the moon, marriage, and feminine strength. Behind her, layered shades of blue form a wave-like spiral, enhanced by silver thread that adds depth and movement to the piece.

See more work
The portfolio is deep. Keep moving. There is more to see and more to learn.